Michael Jackson vs The Weeknd, Bruno Mars, Chris Brown & Beyoncé: Who Is the New King of Pop?
Every few years, music fans ask the same question: “Who is the new King of Pop?”
And almost every time, the debate leads back to one person: Michael Jackson.
From Thriller, Billie Jean and Smooth Criminal to his stadium tours and groundbreaking music videos, Michael Jackson set a standard that modern artists still chase. Today, names like The Weeknd, Bruno Mars, Chris Brown and Beyoncé are often compared to him in terms of vocals, performance and global impact.
This article is not about “copying” Michael Jackson or replacing him, but about:
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How modern artists echo parts of his style
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Where they differ from the original King of Pop
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Whether the “new King of Pop” title really makes sense at all
1. Why Michael Jackson Is Still the Baseline
Before comparing anyone to Michael Jackson, it’s important to understand why he’s still the baseline for pop stardom.
Key reasons:
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Thriller changed everything – The album turned music videos into cinematic events and set sales records that still stand.
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Billie Jean and Smooth Criminal defined performance – From the Billie Jean footwork to the anti-gravity lean in Smooth Criminal, his stagecraft was part dance, part magic trick.
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King of Pop as a cultural title – “King of Pop” is not an official award. It’s a nickname that stuck because of his worldwide impact, longevity and the way he combined singing, dancing, visuals and branding.
Anyone discussed as a “new King of Pop” is being measured against this combination of music, visuals, performance and global recognition.

2. Michael Jackson vs The Weeknd: Mood, Voice & Darkness
The Weeknd is one of the most common names brought up in comparison with Michael Jackson, especially when fans hear his high, smooth vocals on certain songs.
Similarities:
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Vocal color: The Weeknd’s tone sometimes resembles a modern, darker version of MJ’s lighter, silky side.
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Emotional delivery: Both can sound vulnerable, haunted or intense while still maintaining control and polish.
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Cinematic sound: Like the thriller-movie energy of Thriller and Smooth Criminal, The Weeknd’s work often feels like it belongs to a movie world, with moody synths and dramatic arrangements.
Differences:
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Themes: Michael’s catalog balances darkness with optimism, hope and social messages (Man in the Mirror, Heal the World). The Weeknd leans more into nightlife, heartbreak, self-destruction and psychological complexity.
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Performance style: Michael Jackson’s shows were built around large-scale choreography and visual storytelling. The Weeknd’s performances are more about atmosphere, lighting and band-driven energy than nonstop dance routines.
In short, The Weeknd feels like a “neo-noir” branch of the tree Michael planted — inspired, but not a replacement.
3. Michael Jackson vs Bruno Mars: Showmanship & Retro Pop
If The Weeknd is often compared to MJ’s voice and mood, Bruno Mars is frequently compared to his showmanship and retro pop feel.
Similarities:
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Live-band energy: Bruno Mars and his band deliver tight, high-energy performances reminiscent of classic Motown and MJ’s live arrangements.
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Dance and stagecraft: Bruno doesn’t dance exactly like Michael Jackson, but he understands choreography, timing and crowd control in a similar way.
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Retro influences: Just as Thriller pulled from funk, rock and classic pop, Bruno’s music channels 70s and 80s funk, R&B and pop in a modern package.

Differences:
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Scale of impact: Bruno Mars is a huge star, but the scale of Michael Jackson’s 80s and 90s dominance — the global hysteria of Thriller-era Michael — is on another level historically.
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Visual mythology: Michael built recurring symbols (the glove, the fedora, the military jackets). Bruno is more chameleon-like, switching eras and aesthetics with each project.
Bruno Mars is often seen as a spiritual successor to MJ’s live-show energy, but with his own lighter, funk-driven twist.
4. Michael Jackson vs Chris Brown: Dance & Controversy
Chris Brown is often mentioned as one of the closest dancers to Michael Jackson in terms of speed, precision and complexity.
Similarities:
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Dance ability: Chris Brown is technically one of the strongest dancers in mainstream R&B and pop, clearly influenced by MJ’s footwork, spins and isolations.
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Blend of singing and dancing: Both combine high-energy choreography with live vocals or vocal tracks.
Differences:
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Public image: Michael Jackson’s legacy is complicated in its own way, but Chris Brown’s widely known personal controversies shape how the public perceives him, separate from his talent.
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Musical direction: While MJ’s catalog balanced pop, rock, R&B and message-driven songs, Chris Brown leans more into R&B, hip-hop, club-oriented tracks and rapid-fire releases.
In terms of raw dance skill, Chris Brown is one of the closer modern comparisons. But the full Michael Jackson package — music, myth, scale of influence — is broader than dance alone.

5. Michael Jackson & Beyoncé: Perfectionism & Stage Power
Beyoncé is not usually called the “new King of Pop”, but she is often compared to Michael Jackson in terms of work ethic, production scale and stage power.
Shared qualities:
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Perfectionism: Both are known for extreme attention to detail in rehearsals, visuals and sound.
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Full-concept shows: Each tour feels like a carefully curated experience, not just a set list.
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Cultural milestones: Just as Michael had Thriller, Billie Jean and Smooth Criminal as cultural turning points, Beyoncé has landmark moments like major visual albums and historic headline performances.
Differences:
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Genre focus: Beyoncé’s base is R&B, soul and hip-hop, with a strong emphasis on black identity, feminism and cultural commentary.
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Imagery: Her iconography (from stage costumes to visual concepts) is distinct from MJ’s horror-movie-inspired Thriller era and military-pop look.
Rather than a “new King of Pop”, Beyoncé is often framed as a different kind of monarch in modern music — with her own lane, on her own throne.

6. So, Who Is the New King of Pop?
The honest answer might be: no one — and that’s okay.
Factors that complicate the “new King of Pop” debate:
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Different eras: Michael Jackson came from a time of limited TV channels, physical albums and fewer global stars competing for attention. That made his dominance more visible.
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Fragmented streaming world: Today’s landscape is split across platforms, niches and micro-fandoms. No single artist can “own” the world in the same way anymore.
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Brand vs. person: “King of Pop” is both a nickname and a brand attached to Michael’s image. Giving it to someone else can feel like a marketing move more than an organic title.
A more useful way to think about it:
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The Weeknd, Bruno Mars, Chris Brown and Beyoncé each carry pieces of Michael’s influence: vocals, dance, live shows, visuals, storytelling.
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Instead of searching for a 1:1 replacement, we can see Michael Jackson as the root of a family tree, with multiple strong branches.
7. Thriller, Billie Jean, Smooth Criminal & the Modern Echo
What makes Thriller, Billie Jean and Smooth Criminal so central to these comparisons?
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Thriller blended horror, pop and dance into a mini-movie that still sets the standard for ambitious music videos.
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Billie Jean combined a hypnotic bassline, minimal lyrics and legendary choreography into a pure pop moment.
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Smooth Criminal delivered sharp, dangerous choreography and cinematic staging, plus the anti-gravity lean that still blows minds.
Modern stars borrow concepts from these:
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High-concept videos with narrative and character
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Choreography-driven performances
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Strong visual hooks (outfits, sets, color palettes) that make a song instantly recognizable on screen
But even at their most ambitious, most modern videos are in conversation with Thriller, Billie Jean and Smooth Criminal, not replacing them.

8. Quick FAQs: Michael Jackson vs Modern Pop Stars
Q1: Is The Weeknd the new Michael Jackson?
No. The Weeknd clearly draws influence from Michael’s vocal style and mood, but his themes, image and artistic lane are different. He is a powerful artist in his own right, not a replacement.
Q2: Is Bruno Mars the new King of Pop?
Bruno Mars channels a lot of MJ’s showmanship and retro pop energy, but the “King of Pop” title is tightly linked to Michael Jackson’s unique era, impact and branding.
Q3: Who is closer to Michael Jackson’s dancing: Bruno Mars or Chris Brown?
In terms of pure dance complexity and speed, Chris Brown is often seen as closer. Bruno is strong on stagecraft and groove, but his focus is more on band-driven performance than nonstop hard choreography.
Q4: Why is Beyoncé compared to Michael Jackson?
Beyoncé is compared to MJ for her perfectionism, large-scale shows and cultural impact, not because she imitates his style. They share a legacy of high standards and era-defining performances.
Q5: Can anyone truly replace Michael Jackson as King of Pop?
Realistically, no. The title is part of his personal brand and cultural story. Modern artists can be compared to him, influenced by him or stand beside him in impact, but not fully replace him.

9. Final Thoughts – Comparison vs. Influence
Comparisons like Michael Jackson vs The Weeknd, Bruno Mars vs Michael Jackson, or Chris Brown vs Michael Jackson are fun for fans and useful for SEO, but the deeper truth is about influence.
Michael Jackson’s legacy lives on in:
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The way modern artists build visual worlds around albums
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The importance of performance, choreography and fashion
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The ambition to create songs and videos that feel like events, not just content
Instead of hunting for a new King of Pop, it may be more accurate to say that pieces of Michael Jackson live in many of today’s biggest artists — and that’s the real sign of his lasting power.

Brand tip for your Shopify store:
Use this comparison article as a discussion hub and link out to:
A Michael Jackson songs & albums guide (Blog 3)
A vocal technique deep dive (Blog 4)
A dance moves tutorial style blog (Blog 5)
A style and fashion guide (Blogs 6–7)
Then connect each topic to specific designs: Thriller-inspired color palettes, Billie Jean–inspired footwear art, Smooth Criminal–inspired silhouettes, etc."
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